Screen culture has fundamentally transformed the nature of readership. The solitary spaces once occupied by printed media have been supplanted by devices that continuously compete for and capture our attention, often offering only the appearance of purpose. Newspapers, once tangible vehicles of information, have been reimagined for the digital age, leaving the mechanisms of distribution intact while altering the experience of engagement.

These works were exhibited in Fakes at Redsaw Gallery in New York City and Newark. Functioning as vessels within the public sphere, they examine the evolving relationship between media, consumption, and spectatorship, while capturing and directing the viewer’s gaze.